After numerous delays, it looks like Big Boi's upcoming album, "Sir Lucious Left Foot: The Son of Chico Dusty," will finally see the light of day -- on a new label.
This
advice is general in nature and not intended to take the place of legal
advice. You should seek legal advice before entering into a contract
with publishers and master owners. Further, keep in mind that the
specifics of your own circumstance may be different.
Answer:
If you use a sample in your music, you must receive sample
clearance before you can release it for sale - or at least, you should.
Most record labels won't touch a record with uncleared samples, and even
if you are going the DIY route, failing to clear the samples you use
leaves you open to considerable legal trouble.
Clearing music samples is an absolute must, but it is not always the
easiest process in the world. There are two parties you have to deal
with: the owner of the master and the publisher. Samples are not subject
to compulsory
licenses, which means that either party can deny your use of the
sample - and you need them both on board to legally use your sample.
Before you can get sample clearance, you have to record the song, so
the record label that owns the master and publisher can see how you plan
to use it. Not only do they simply want to make sure they are ok with
the song, they also want to see how much you use the original recording.
This helps them determine the price they will charge you for using the
recording.
In terms of pricing, the owners and publishers have pretty free reign
to charge you what they want. The label/master owner will usually want
an advance plus a royalty on all sales. The publisher will want partial
ownership of the copyright plus royalties for the songwriter and
publishing money. The share you have to give to the publisher could be
significant - according to attorney Donald S. Passman, author of All
You Need To Know About The Music Business, you could be asked to
give up more than 50% to the publisher, depending on how you use the
original track.
Keep in mind that if your song has more than one sample on it, you
have to repeat this process for each - even if you think you have
altered the sample so much that it is no longer identifiable as the
original track. It can be a tedious and expensive process - but not
nearly as expensive as getting busted for copyright violation.
Don't
risk it.
Word from Apple is out -- so get your credit cards ready. The iPad will be launching on Saturday April 3rd (and on the shelves, er... display tables at Apple retail stores), but you'll be able to plunk down cold, hard cash for it in just a week. Pre-orders will begin on March 12th for the US version (non-3G) for that April street date, with the 3G version coming in late April. US pricing will be as follows:
16GB WiFi only -- $499
32GB WiFi only -- $599
64GB WiFi only -- $699
16GB WiFi + 3G -- $629
32GB WiFi + 3G -- $729
64GB WiFi + 3G -- $829
Need more info? Follow the link below to read the press release:
The once-powerful executives have become an endangered species
As 2007 dawned, Jon Sidel had been West Coast head of artist and repertoire (A&R) with superhip V2 Records for seven years. Life was good. Sidel, who'd previously been an A&R executive at Interscope Records, was working with the likes of the White Stripes and the Crystal Method; was a successful restaurateur (a former owner of hot Hollywood hangs Swingers and Small's); and counted actress Rosanna Arquette among his exes. But that January, V2 was suddenly shut down by new owners, and its entire staff was laid off. Except they forgot about their man in L.A. "I felt like the guy in Office Space," Sidel laughs. "In the basement, still working away."
That may be the only way to keep an A&R job these days.